Cootamundra/WIRED EARS (day 1)

Today we drove out to the WIRED LAB farm for the first day of the masterclass and intensive workshop. After a round of introductions we headed up the road to the gully to see three of the installed wires. The wind was particularly fierce in the afternoon, and this was felt as we stood at the top of the gully with a stunning panorama of the distant Snowy Mountains and Mount Kosciuszko.

David Burruston and Alan Lamb went over the specifics of each of the wires and we spent some time at each of them, interacting, listening and recording. Alan pointed out that the weather conditions (lots of wind) weren’t conducive to the wires ‘singing’ and that we would have to see how the wind fares tomorrow (i.e. less turbulent and strong, more consistent.) Still, it was fascinating to observe some of the wires potential in action – especially the bowing of the wire, which resulted in some incredible overtones and phasing effects.

Some images below.

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This entry was posted in artists, conditioned (field) recording, experimental music, interstate movements, modification, musings, natural phenomena, process, research, safe sound art, sculpture, sound art, spaces, The WIRED LAB, TLR-WIREDLAB2011 by tristanlouthrobins. Bookmark the permalink.

About tristanlouthrobins

Tristan Louth-Robins is an Adelaide based sound artist working in areas of electro-acoustic music and new media art. His works utilise assorted media and forms of technology to realise concepts and ideas associated with sound and its signification in various contexts. Underpinning his concert works and installations is the concept of focused listening and a heightened awareness of sound. Works are predominantly minimalist in nature, eshewing distractive elements in favour of simple systems and processes which draw the listener's attention to the inherent detail of a given work. Tristan Louth-Robins has performed and exhibited his work both locally and interstate at various galleries and conferences. Since 2005 he has collaborated with new media artists (Linda Lou Murphy), sound artists (Jason Sweeney, Sebastian Tomczak) and artist collectives (SHOOT, Glitch, Milkcrate.) In 2006 and 2007 he directed the highly successful experimental music series Tyndall Assembly, which showcased emerging composers and sound artists, whilst also presenting important historical works. He is currently completing a Master of Music (part-time) at the Elder Conservatorium, where he also teaches and tutors within his faculty E.M.U.

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