I heart my bike. I’ve just been for a long ride this afternoon, winding through the backstreets of Goodwood and along the designated trails that run parallel with the tramline. The menacing drone of over-sexed cars have been buzzing inanely through the humid climate as the dreaded Clipsal 500 overruns Adelaide with its ugly fusion of bogans, petroleum and more bogans. Enough said, suffice to say walking thorough the city last night was not very pleasant. So now I’m back home as the signs of a cool change arc over the the skyline, I’m drinking a fantastic imported Chinese beer and going over some notes for an essay on improvisation that I intend to submit to the Australian Computer Music Conference. I don’t really know what the point of this post is, so I’ll finish up now.
Published by tristanlouthrobins
Tristan Louth-Robins (*1981, Adelaide, South Australia) is an Australian artist working principally in the medium of sound art. Ideas of sound and its signification are key elements in Louth-Robins' work, traversing the space between the visual and aural his sound art is realised through the mediums of recordings, installation and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space and the natural world. Since 2005 Louth-Robins has performed and exhibited work in Australia and internationally as a solo artist, whilst occasionally collaborating with visual artists, musicians and performers. In 2010 he completed his MA at the Elder Conservatorium of Music, University of Adelaide, South Australia. View all posts by tristanlouthrobins