Compression – Artist Statement

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Suspended Echo #2 (2018) – installation element

I must admit, due to the AIR at Sauerbier House Culture Exchange (Port Noarlunga) I’ve scarcely had much time to keep the blog updated with my activities and movements. It had been my intention to post weekly installments, but this has been virtually impossible. In lieu of blog posts, my social media channels are suffused with photos and notes documenting a very intensive few weeks. You can find these links via my artist website tristanlouthrobins.com

As the launch of the AIR exhibition Compression approaches, I’ve finalised the artist statement which you can read below.

Compression launches on Saturday 15th December at Sauerbier House.

Artist Statement

Tristan Louth-Robins – Compression

Working as a sound artist, my practice has been concerned with exploring the relationship between the natural world and human activity. Prior to commencing the AIR at Sauerbier House, I committed my weekends to follow and document the Onkaparinga/Ngangkiparri River, from its source in the Adelaide Hills to its meeting with the sea in Port Noarlunga.

At almost every stop along my river journey the presence of human activity was evident. In spite of the remoteness of a given locality, the environment where the river passed through seemed constantly impinged upon. A relative quiet would be interrupted by a mechanical din; the riverbank polluted by the accumulation of plastic detritus. With my sound equipment, camera and notebook on hand I would observe and document these dynamics.

Upon arriving at Sauerbier House to commence the AIR, the impact of this dynamic that I had previously observed intensified significantly. Wandering across tracts of open space, the presence of urban development and road traffic were inescapable.

The detritus and residues of human activity quietly and loudly punctuated the landscape.

Within audio theory compression is a term used to describe the technical process of attenuating loud sounds, whilst increasing quieter sounds. In essence, establishing a state of dynamic consistency and reducing the space between the loudest and quietest sounds. Considering the environment of the Onkaparinga in these terms; with a pressing together of natural and human environs and a reduction of natural space, the notion of ‘compression’ found its way into my thinking as a poetic reflection of the tenuous nature of the Port Noarlunga environment.

This idea of ‘compression’ informed my working methodology for the AIR studio practice, utilising sound recordings and found raw materials (both natural and synthetic) in sound compositions and sculptural forms that suggest states of solidity and fragility. The exhibition, Compression is presented as a consolidation of these impressions, a blurring of the distinction between the natural and synthetic.

November 2018

 

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Broken Fence in Port Noarlunga

So, I’m currently enjoying a super relaxing holiday and when I’ve torn myself away from a cycle of sleeping, socialising, reading, cricket and cricket, I’ve been roaming around looking for compelling sounds. Here’s a broken fence I found down in Port Noarlunga the other day – being gently articulated by some dry grasses.

Chris Watson, Alan Lamb and The WIRED Lab

Now here’s something really special I thought I’d share courtesy of BBC4 and The Wired Lab. Sound recordist Chris Watson and composer Alan Lamb discuss and interrogate the Wires. This brief programme presents an ideal introduction to this totally unique instrument which is located in regional New South Wales at The Wired Lab; facilitated by artists, Sarah Last and David Burraston.

Ephemeral sculpture “Nude” (2011), 25th February 2014

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“Nude” (2011); image by Ashley Edwards, 25th February 2014.

My old school friend, Ashley Edwards who’s based in Delamere stumbled across the ephemeral land sculpture that I constructed in July 2011.  It is located about 4km south of Lady Bay in a rocky bay near Wirrina Cove.  This is the first instance of an intrepid visitor taking a photo of the sculpture in its current state!

Read more about the work/videos: http://www.tristanlouthrobins.com/works/2_other.html