The theatre work group (actual name TBC) I’m a member of has been workshopping ideas over the past couple of months for a new theatre project to be presented in 2018-2019. Each fortnight a different member of the group has run a session incorporating texts and activities which benefit the development of ideas and concepts for the eventual project. A couple of weeks ago I ran a sound-based session focussing primarily on the work of Alvin Lucier; specifically a performance work called Vespers (1968) where performers navigated themselves in a space (either in the dark or blindfolded) using sound devices to map out the space. Whilst our session performances in the video below are not entirely faithful to the original Vespers score (the lack of clicking Sondols diminishing the echolocative emphasis of the work), I would regard these performances as broad interpretations of Vespers, using the performance format of the work as a point of departure for exploring aspects of group listening, sensory depreviation, acoustical awareness and exploration of space.
A new little release. Two new pieces drawn from field recordings made in Thailand last year and studio improvisations.
The Door Into Summer is now available for purchase at my Bandcamp store.
Purchase of the album includes the following items:
THE DOOR INTO SUMMER – ALBUM + LINER NOTES
1. This Gilded Engine
3. Swathe of Opiates
4. Artesian Pulse
5. Red Eyes
6. The Door Into Summer
THE DOOR INTO SUMMER – BONUS TRACKS
1. Mouth of Ambience
2. Deaf Bed
3. Death To Idols
4. The Last Hour
5. Sunn Fripp
LIVE AT THE WHEATSHEAF – JULY 2014
1. Infuser IV #1 (live)
2. Goyder’s Line (live)
3. Infuser IV #2 (live)
4. The Damage Over Distance (live)
5. Maurilia (live)
6. Confluence with S.H. (live)
7. The Door Into Summer (live)