An abundance of posts today!
Many years ago, when it came to writing and performing electronic music I used to call myself red_robin.
For a while I’d been keen to make the early red_robin albums and eps available – Tiefurt, Staub and Oslo. Previously, I’d had a conflicting relationship with these releases since in many respects they scream, overproductivity vs actual quality. These three releases were produced within the space of a year. Whilst there’s definitely merit and a surfeit of ideas going on, my approach to editing releases hadn’t yet been refined.
On a couple of occasions these releases had been unceremoniously removed from the web, and at worst – deleted from my computer altogether. In order to find any trace of Oslo locally I had to exhume my 2007 MacBook and scour iTunes for a copy. Miraculously, it was still there and hadn’t been sent to the trash many years ago!
On the downside, only mp3s of these releases remain so therefore they can’t go onto Bandcamp and instead have found a home over at Soundcloud. For free! I had pretty shabby standards when it came to preserving my own music in the past, and more often than not the original lossless copies were deleted. I don’t know exactly why; I can only presume I was being stupid and flippant about it.
But anyway – the albums:
The only proper album of the bunch and upon reflection it should have probably been contained to probably 7-8 tracks. It’s a travelogue of sorts since the bulk of the material was composed and recorded in Germany during the latter half of 2008 – specifically around Weimar where I was undertaking a mentorship with Robin Minard at the time. Some additional work was done back in Australia. The material is fairly heavy on lo-fi approaches, blended with Plogue Bidule and Max-based processes.
This EP has a considerably more loose and improvised feel to Tiefurt. If my memory serves, I think I recorded the entire set in one day using a combination of electric guitar, turntable, Roland synth and Soundhack plugins. Very lo-fi, but a nice spatial and minimal quality to these pieces.
I hadn’t listened to this in many years and I was pleasantly suprised by what I heard. I’d completely forgotten that recordings of my teapot work, Infuser had been employed as segues for a selection of grungy, dark drone textures and a couple of pieces which seem to have been heavily influenced by Rolf Julius. A strange work, this one.