A blog quiet of late.

At present I’m finishing up the Masters thesis, which is almost completed bar a few chapter revisions and compiling the documentation of the creative works portfolio.  To be completely honest, I can’t wait to submit the tome – it’s the end of a long protracted phase and the beginning of an exciting one.

I’ve had a couple of little projects on the side whilst all of this madness has been going down.  With the prospect of recording the next Panoptique Electrical album, colabs and live performances over the next six months, I’ve been inclined to look into some new/revised composition processes and techniques.  Plouge Bidule’s come back into favour – I love its functionality and capability to realise ideas and technical processes quickly.  There’s some good stuff on the way.  I’ve also gotten back into taking some photographs (nothing too special, just domestic oddities), Flickr will offer up the goods.

The leaves on this plant have been yellowing slightly, but everything (aside from that) appears to be looking good.

Image: www.copycatsmedia.files.wordpress.com

Remember the cassette tape?  Most definitely if you’re over 25 you’ll probably recall taping songs off the radio, making mix tapes for your friends at high school and loading a battered cassette in a car stereo.  The latter still happens quite a bit amongst my social circles, though the attraction of the iPod is ever present.

I’ve started to think about cassettes again.  I can’t remember exactly when I stopped using them exclusively, maybe in 2001 when I bought a Discman (that’s a portable CD player!) with a mock-cassette adapter for my car, but then I dropped the Discman in late 2004 and went back to making cassettes for my automotive journeys.  Until the car died in 2006, then I bought an iPod.  So I think 2006 is the cut off date, really.  This is when my practical use of cassettes came to an end, the only thing I’ve had since is a Tascam 424 Portastudio recording station.

The Tascam 424 MK III: I bought this in the year 2000 for a princely sum of $1000

I was in the stationary section of the supermarket the other day and saw, amongst the writable DVDs, cheap USB sticks and crappy mp3 players, a tiny section allocated for cassette tapes.  “Who buys these anymore?” I thought to myself.  I don’t think you can buy Walkmans anymore, or even buy a boombox unit with a cassette deck built into it.  I thought maybe the Hipsters and fashionistas could be keeping the market afloat (because the 80s retro market is so awesomely hip right now) but that’s highly unlikely, the availability of cassettes is probably targeted at that demographic with cassette decks still in their cars.

I wonder how far away is the cassette from complete extinction?  That time when the last of the  TDK 3-packs will be fought over in a street knife fight and a stack of cellophane wrapped CR-O2 premium Maxells surface on eBay.  As I think about this the Compact Disc is continuing to die a steady death in the wake of the digital music market. I look out of the living room window and see discarded CDs hanging from our grapevines to ward away birds like some kind of defence drone you would see in classic era Dr Who.   A hanging cassette shell would not only be completely impractical, it would look just far too arty.

About two years ago the cassette got poached by pop culture and its symbolism was subsequently canonised on t-shirts, on music shows, in magazines and on soft drink cans (I recall seeing this in the Bohemian quarter of Dresden in 2008).

Image: www.beachbums.com

This keeps the medium sustained for a brief period based on symbolic appeal (the 8-track never looked that cool) but that’s about it, it will never be given the same renewal of vinyl records – can you imagine buying the latest release on a cassette and digging the tiny sleeve notes out?  Not unless you’re an obsessive completist bent on procuring everything from an artist.  It doesn’t come close to having the appeal of a vinyl records massive sleeve and physical presence, not to mention the far superior sound quality (amongst other things).

I still use cassette tapes on an infrequent and singular basis – for the aforementioned Tascam 424 Portastudio, as I record a sound texture onto a cheap Sony cassette and play it back into my laptop, emphasising the hiss of the tape.  My usage has been reduced to exploiting the medium’s artifacts, similar to the way UK artist Philip Jeck treats his stacks of battered vinyl records.  I imagine a morbid analogy of exhuming a corpse for the purposes of disease research or extracting DNA from a bug trapped in resin.  My dwindling collection of cassette tapes sit in my studio awaiting the next experiment.

I look forward to the future and fondly remembering the cassette.  If I ever have kids I’ll probably tell them (or somebody else’s kids knowing me) how in order to listen to a song again I would have to memorise roughly how long it would take to rewind back to the beginning or how the process of making a mix tape was such a labour of love.  Especially if you were making it for someone you really liked – I know I took to the many hours hunched over a tape deck with a kind of romantic martyrdom, slaving away at the record and stop buttons, agonising  over my choices.  It’s so much simpler these days with iTunes playlists and alike, but that’s a post topic for another day…

My eulogising probably comes across sounding old, but the cassette feels important to me – it represents a  period in my life and it certainly shaped my listening habits and approach to experiencing music.  Right now I feel like going to the supermarket and buying out their complete stock, so that in 20 years timing in the brace of middle age I can tell the youngsters (in a demented manner, no doubt) about the cassette tape and how it shaped a nugget of my lifetime.

Long time followers of my blogging will probably remember there used to be a sister blog (Don’t Mention The Garlic Crusher – now gone) that covered my cooking adventures.  It went silent about two years ago, ending on a spectacular note with a delicious courgette and chilli cous cous number.

Recently, I’ve been trying to re-engage with my cooking muse – learning a few new recipes and committing myself to making decent dishes. Last night was a good example of this, L and I made a lovely red capsicum dressing with salt boiled potatoes and blanched beans.  The key to this is in the making of the dressing.

2 red capsicums – roasted
3 cloves of garlic
2 tablespoons of cumin – roasted and ground
300 ml sherry vinegar
100 ml olive oil
Salt & pepper to taste.

300g green beans
500g kipfler or waxy potatoes

Start off with the roasted cumin – preheat the oven to 180 degrees, place the cumin on a baking tray and leave for 5 minutes allowing the oil to be roasted out of the cumin.  Put the cumin in a mortar/pestle and start grinding until it becomes powdery.

Now the capsicums – place the capsicums in the oven for about 40-45 minutes until they are nicely roasted and slightly blackened.  Put them in a plastic bag, letting them cool and sweat it out for about 10 minutes.

Whilst this is happening, boil the potatoes (with skins) in salted water.

Back to the capsicums – strip off the skin and remove the membrane, cutting into strips.

Enter blender/bar mixer: put in the capsicum along with the vinegar, cumin, garlic cloves, olive oil.  Blend like you know it.

As the potatoes finish up, throw the beans in and allow them to blanch for a minute or so.  Drain and throw into a heated oiled fry-pan for a couple of minutes.

Serve up the potatoes and beans with a generous dashing of the dressing.

The dish shouldn't be a blurry as this photo illustrates. If it is, well...

The latest update of the website is now live.  It’s much improved from its previous incarnation.

http://www.tristanlouthrobins.com/

Today marked the third consecutive day above forty degrees in Adelaide.  We’ve become pretty accustomed to this sort of weather over the past couple of years – bracing ourselves every six weeks or so over summer for another heatwave, the last one hit in November.  I’m somewhat relieved I’m not finishing the thesis draft off this weekend as I may have very well freaked out as the sun beared down and joined a monastery instead.  Instead I’ve confined myself to the house for the last couple of days, employing the A/C to form a comfortable channel of cooling air down the hallway of my house.  This is where I’ve stationed my musical activity.  It feels good to be working on music without the usual things buzzing away in the back of my head – thinking about going back to work the next day, doing the dishes, writing a thesis, you know.  I’ve just finished up a red_robin compilation for the folks at Echo Obscura, it will consist of some select tracks from the past couple of r_r releases.  Contrary to my previous post, I’ve decided to omit earlier TLR tracks and instead compile a shorter track list with a better feeling of structure to it.  I’m pretty excited about the whole enterprise.  Aside from that, I’ve been going over some possibilities for a microtonal chipmusic composition and thinking about new ideas for the full length r_r release this year, Hildur Gudnadottir and Fennesz have proven to be pretty inspirational of late.  I’ve got tomorrow off as well, and given that we’ve got another day above forty it would be most sensible to set up camp in the hallway once more and keep plugging and playing away.

It’s that time again when the masters thesis rears it’s queer face on this blog.  A couple of days ago I managed to complete the final draft, which is essentially what it will be, albeit with some editing and revisions courtesy of my supervisory panel.  An anticipated catharsis came over me as copies of the tome were spooled out and subsequently punched with spiral holes – a process I seemed to enjoy with a little too much enthusiasm.  Now I can sit back for a few days, whilst my supervisors have a read of it and offer up their thoughts on the overall product.

How do I feel about it?  Aside from the relief of finally getting to this stage (a process that has taken far too long for a variety of reasons),  I’m feeling a bit conflicted about it all – on the one hand I’m happy the end is in sight at last and I can move on with things, whilst at the same time there’s a profound sense of unease and dissatisfaction with the whole endeavor.  First of all, it should have been finished in 2007.  If that had been the case a lot more people would be happier about the project, and my relationship with the University would certainly be a lot more amiable.  It didn’t turn out this way – things went wrong early on followed by a series of personal and professional calamities that nearly threw everything off the rails.  In 2007, things corrected themselves but things continued to get in the way and the project lurched along for another couple of years.  It’s kind of like I dropped a conceptual anchor and bobbed about for four years gathering the flotsam and jetsam with the occasional bite.

Secondly, I’m not convinced the outcome has been as enriching as I’d first envisioned – was it really worth it?  Could the process of learning and researching been more enlightening had I not been attached to a degree or a University?  Sure it’s all hypothetical, but I’m seriously questioning how beneficial the degree and an affiliation with the University was in terms of gaining an insight into the research topic, since major insights were gained through extracurricular activities that had little or nothing to do with the University.  A degree certainly applies a ‘template’ to any line of research and activities, conditioning and disciplining the findings into something that fits a set format.  Which is a great thing, I’m not knocking the merits of post-graduate research via degrees and Universities, I just think to myself whether things would have been much better (personally and professionally) had I done it all on my own terms.   What do mean by ‘my own terms’?  It would mean no thesis for starters, though certainly a lot more artwork/product and in the place of a thesis, a lot more papers and attendances at conferences and events.  I could even argue I might be a better artist, a better writer, etc.  Though I might be running the risk of overstepping myself here.  Like I said before, this point is hypothetical and daydreaming at best.

Let me say though, I do not blame anybody else but myself for the way things have gone – I’ve certainly (and somewhat unfairly) blamed the University for the many crises that have affected this project, mainly financial and professional issues that have arisen.  I’m wholly responsible for the situation and I could have left the project at any time to pursue my interests from another vantage.   I did actually go on hiatus for a few months towards the end of ‘06 to gather my thoughts, though it didn’t really work out for the best.  As much as I derided the project at times, something kept willing me back as I felt a bit lost and unable to apply myself without the ‘template’ of the degree and the University.

Aha! I just (sort of) contradicted myself didn’t I?  Maybe the outcome of all of this wouldn’t have been as fulfilling had I gone it alone – I might very well have ambled away on the dole, eschewing my arts practice and weighing up prospective offers of a career as a rent boy or (G*d forbid) an accountant or something.

My feelings about it all are probably best summed up by what you, dear reader, have just trawled through – a need to vent and rant.

Hypotheticals aside;  I believe I’m a much better person having gone through all of this.  It’s taught me to commit better to things, persevere and overcome issues in a much more considered and ethical fashion.  When it’s finalised and dispatched, the dust will settle and I’m sure my feelings towards the whole endeavor will be much more favourable and the inclination to vent and rant will most definitely diminish over time.  Though I’m sure there will still be plenty of things aside from this project to rave about.

The latest installment of New Weird Australia (Volume Four) has just been released!  An unreleased red_robin track “The Surveyor” is included along with a selection of exciting tracks by fellow Australian musicians and artists practioning in the weird.

Download the release: here

Tracklist:

1. TEXTILE AUDIO, Some Kind Of Mininova (5:32)
2. PAINT YOUR GOLDEN FACE, Television Is About Picture (4:12)
3. REUNION SACRED IBIS, Sing It To The Mountains (2:11)
4. TANTRUMS, Beat The Happy Pavement (4:08)
5. SCATTERED ORDER MK 1, Ruined By Me (5:44)
6. ALISTER SPENCE TRIO, Two Halves Of The Moon (3:26)
7. SCISSOR LOCK, Codify (2:05)
8. GUTTER PARTIES, Sashi (2:15)
9. NO ZU, Lay Of The Land (4:25)
10. THE TOWNHOUSES, Jigsaws Under The Clouds (4:08)
11. SEAWORTHY, They’re Cicadas You Know? (3:55)
12. GENTLEFORCE, Our Last Day Together (4:30)
13. GOLD TANGO, Telescope (3:26)
14. ALPEN, A Meditation On Flight (3:16)
15. RED_ROBIN, The Surveyor (4:36)
16. AUTOMATING, When Use Becomes Abuse (9:19)
17. SILVER BULLETIN, Minding Time (4:13)

I strongly encourage you check out the previous three releases as well.  Good, plentiful stuff.

Planted about 2 months ago…first some bright yellow flowers and now some tiny green things that I think will resemble Roma tomatoes soon!

I’m prepping a red_robin compilation for a UK experimental label Echo Obscura.  It will feature tracks from my previous releases Mimi, Enlaced, Tiefurt, Staub, Oslo and also contain the more recent “Spool” and “Mother Night” tracks.  A few tracks will also be ‘re-conditioned’ for the sake of the compilations sequencing.  The tracklist is below.

1. The Drop (from Mimi)

2. Julius (from Tiefurt)

3. Enlaced (2008 Xmas single)

4. Spool (2009 Xmas single a-side)

5. Isar (from Staub)

6. Distortion (from Oslo)

7. Vaulted (from Oslo)

8. Mother Night (2009 Xmas single b-side)

9. Meadow (from Tiefurt)

10. Flanko 2 (from Staub)