Last night was EMU’s end of year concert Earpoke.  It was a fine evening’s music – for the first time undergraduate students were distanced from individualistic tendencies and presented works as groups/ensembles.  This group dynamic worked really well in a couple of cases – the playful noise making group led by Daniel Pittman was fantastic and another groups set dedicated to Nancy Sinatra was genuinely moving.  The other groups, however, reminded me a little too much of a late 90s-era high school formal.

Undergrad group with Sanad (far right) on the Juno 6

The playful and noisy antics of another undergrad group featuring Daniel Pittman (far left)

There were a couple of significant highlights.  The opening set by Poppi Doser and Seb Tomczak, who performed a couple of tracks from an upcoming colab release.  The mish-mash of Seb’s chip music and Poppi’s vocals, which sounds great on record, translated really well to a live context.  The other highlight was the double whammy from MC Stephen Whittington who treated us to a candid laser harp improvisation followed by some proto-philosophical-rapping.

Poppi Doser and Seb Tomczak perform

Stephen Whittington navigates the laser harp

...and presents us with some highly original proto-rap

Finally, I closed the evenings proceedings with a new piece called ‘Little Atoms’ which will be included on a new red_robin release in January 2010.  It consisted of ‘playing’ a live audio cable and processing the impulse via Ableton using a couple granular delays and resonators.  To enhance the performance, at the last minute I decided to incorporate some colourful finger LEDs that entranced the audience whilst I performed in near darkness.  I was quite happy with the performance.  Seb/Lauren shot some video of the performance so it should surface soon.

Me performing with cable and LEDs

Avec luminaire!

Overall a great night.  Many thanks to Luke Harrald and the Wheatsheaf Hotel for facilitating the event.

I got hold of this interesting and exciting publication when The Wire posted a notification on their Facebook feed.  Noise and Capitalism is a collection of essays examining aspects of improvisation, the obsolescence of genre, globalisation and anti-copyright in relation to noise and capitalism.  I must admit I find it a bit difficult to read .pdfs off a computer screen (you won’t see me with a Kindle anytime soon), so I’ve only been able to skim over most of the chapters and digest Csaba Toth’s excellent essay ‘Noise Theory’.  Paper is much kinder on the eyes.

The book is essentially ‘free’, with the proviso the publisher requests that you (as artist/musician/writer) send an example of your work in exchange for the .pdf.

I find this mode of distribution another interesting development in relation to Radiohead’s pay-what-you-like for In Rainbows (2007) and the culture surrounding Creative Commons, Copyleft and Anti-Copyright.  The book, in terms of its content and distribution, also presents itself as a poignant political statement as the first decade of the 21st Century comes to a close, post-econonic meltdown.  It’s also a worthy addition to recent books examining aspects of noise culture (such as Paul Hegarty’s Noise/Music: A History) and of course Attali’s seminal Noise (1985).

The publishers Arteleku describe the book as follows:

This book, Noise & Capitalism, is a tool for understanding the situation we are living through, the way our practices and our subjectivities are determined by capitalism. It explores contemporary alienation in order to discover whether the practices of improvisation and noise contain or can produce emancipatory moments and how these practices point towards social relations which can extend these moments.[1]

Download from: http://www.mattin.org/

[1] http://www.mattin.org/

Earpoke 3 is this coming Monday evening!

Today I’ve been using this rainy humid weather as an inspiration of sorts for working my performance piece.  I’ve dubbed it “Little Atoms” – it will be something a bit different from the recent TLR/red_robin fare.  Let’s just say I’m earthed and will be getting a little touch-feely with some cable. ;)

 

3 weeks and counting

Probably the only thing the recent barrage of heat was good for.  My tomato plants are coping and thriving under these conditions.

 

Come mid-December, I’ll be performing in Melbourne as part of Lego Feet, an evening of experimental music curated by local Melbournite and resident sound artist Tessa Elieff.  Tessa, Kristian Roberts, K&M, Danny Griffith and Lizzie Pogson will also be performing.

When: Wednesday 16th December, 6-10pm

Where: 1000 Pound Bend, 361 Little Londsdale Street, Melbourne City

Please note: the above image is the poster for the previous Lego Feet, I’ve been told the new one is on its way.

earPokePoster-2

I will be performing a ten-minute set as part of EMU’s end of year concert Earpoke. Other notable acts include a colab between little-scale and Poppi Doser and (so I hear) a proto-rap set from none other than Stephen Whittington.

Where/When: Wheatsheaf International Hotel, 39 George Street, Thebarton/from 8pm+

automata ukulele

Last night my pal Ryan posted a video of some fab kinetic sound art works via Facebook.  I was so impressed with the delightfully simple use of DC motors in tandem with equally simple materials, I rushed home from work today and dug out my Arduino for the first time in ages to get some automata action happening with a couple of motors and my trusty uke.  The code is very simple – rotate left/right, variable speed and timing.  A bit silly, but maybe a point of departure for some more thoughtful work in the future.

Tristan's Tomato

A non-music/art post!  It’s been awhile since I’ve let life’s other pursuits corrupt my blog.

Our vegetable patch currently sports some varieties of lettuce, spring onions and parsley and will (hopefully) soon have some roma/cherry tomatoes for the picking once the brutal sun bears down upon us Adelaide folk this summer.  Expect updates on this – I’ve got to break the monotony of these reported artistic pursuits somehow.

MaryanneAmacher

Highly influential electronic musician and sound artist Maryanne Amacher has died.  She is best known for her highly innovative installation works and philosophies on the act of listening.

Pitchfork has an obituary: http://pitchfork.com/news/36893-rip-experimental-sound-artist-maryanne-amacher/

A good looking ning.  Check it and my profile out here: http://www.thesoundboard.net/profile/TristanLouthRobinsredrobin

Soundart whiteboard