other peoples performances/gigs
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Communiqué 9: Dis/re-orientations
We are all off balance. From the moment I open my eyes in the morning, I feel the discomfiting sensation of being suspended between the set of propositions that existed before the pandemic and the set of propositions that exist now. Katharine Murphy, The Guardian (28th March 2020) [1] Altered states It seems like another…
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Meaningful Records #4: Jazz Blues Fusion by John Mayall (1972)
I haven’t done one of these in over a year and I was well overdue. I feel like my best writing comes when I’m prompted to do so and channeling a bit of flow; as opposed to predetermining or overthinking the process too much. In that respect, this essay could be regarded as a love…
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Equilibrium Journal: making connections
Far from home Out of the general miserableness of my first year of university, an oft forgotten memory – which has curiously recalled itself recently – was my sensitivity to sound and the anxiety that accompanied it. For the first few months of my university life I would lie for hours in the dark with…
artist residency, collaboration, fellow sound recordists, long reads, musings, natural phenomena, natural sound, natural world (analogies), other peoples performances/gigs, presentations, regional – south australia, research, writingAlysha Herrmann, art deco, berri, brutalism, burra, country arts SA, critical care, digression, equilibrium, flinders ranges, foley art, health care, IMHIU, intervention, Jesse Budel, John Simpson, landscape, long reads, mental heath, noise, quiet, quorn, remote, riverland, sensitivity, silence, sound, sound art, sound design, south australia, space, Vic McEwan, whyalla -
Goyder’s Line – Live at Elder Hall!
I was delighted to hear that the performances from the recent ACMC conference concerts were recorded, including my performance of Goyder’s Line (2014-2017). You can find audio below via YouTube and Soundcloud.
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“Re imagining the mother” – Sound composition (2015)
Embedded image: element of Simone Kennedy’s “Re imagining the mother” One of the most rewarding art projects I’ve been involved in over the past few years has been an ongoing association with the artist Simone Kennedy, where I’ve had the privilege to work closely with Simone and develop sound compositions and installation for two of…
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Video: live at Format
Some video capture from Thursday night’s gig, supporting Andrew Tuttle.
TRISTAN LOUTH-ROBINS 